I was trying out a new search engine the other day. Actually, it was a digital library, and it is pretty cool. You should check it out. It’s part of the Digital Library Project, and is called HathiTrust Digital Library, and it has some great texts available. As I was satiating my curiosity about their holdings, by searching for random topics, I did a search for the term “Anglican.” One of the texts that popped up was Anglican Church Architecture with some remarks upon ecclesiastical furniture by James Barr, architect, published in 1842.
As I skimmed it’s pages, my eye was caught by an earlier illustration. It was a floor plan, and a good example of some common elements one is likely to see in village churches in England. Take a look:
I wonder what you notice about the lay out?
When I looked at it, the first thing I took note of was the tower, and the porch which serves as a main entrance to the church building. I noted that the font is located at the entrance of of the church, and that the pews are shorter at that side of the nave to accommodate it. I noticed that the vestry (vesting room, not the group of people that we name by the term) was sort of tacked on, seemingly as an afterthought. The position of the reading pew (B) right in front of the pulpit (C) struck me as interesting, but indicative of a particular time frame; my understanding is that the clerk would sit there and lead responses during the service. Then I noticed the pews that were sideways at the front of the church, around the pulpit. But there were also pews running sideways in the chancel area. Generally speaking (assuming there aren’t transepts) pews oriented that way tend to indicate the presence of a choir. But, in my experience, the choir is almost always seated in the chancel area. So where would the choir sit here?
Then I noticed it on the key. Letter H. Referring to the pews in the chancel. Do you see it? Children’s seats.
Now, when I brought this up to Anna, she had the same initial thought that I did: perhaps they had a boys choir. But then I thought that it would make more sense, even if it was a boys choir, to actually refer to it as the boys choir or even just choir. Also, the word children has always been inclusive of both sexes, so add to that the fact that at this date the Church of England would not have had children’s choirs consisting of boys and girls. So, could it be that the chancel area was reserved for the seating of children?
What would be the possible benefits of this?
Folks who study congregational development and children nearly universally suggest that children sit toward the front during the service so that they can see the action. Perhaps that was part of it. Sitting in the chancel would’ve given the children a good view of what happened in both the liturgy of the word and during communion. There may have been another benefit, in that, while they would be able to hear the sermon because of their proximity, being positioned behind the preacher may have made the noise from fidgeting and the occasional whispered comment less likely to carry into the nave.
Still, I was curious. I had never heard of or seen anything like this before. So, I started to dig a bit. I ran across another, modern text: Buildings, Faith and Worship: The Liturgical Arrangement of Anglican Churches 1600-1900. I searched this book, and found several references to children. In discussing the design and renovation of congregations in England during the 19th century, he notes that of the parishes in this region “Most had seating for the congregation provided by open benches rather than box pews; some had stalled chancels but for children rather than choristers [...]” (page xxiii). In another text, I saw reference to a parish church that was renovated in in the 1680′s and put small box pews in the chancel for children.
All of this makes me wonder what our past might be able to tell us about our future of incorporating all ages in our worship.